Last week’s stop was hosted by S. Elliot Brandis. He has studied both psychology and engineering, and can tell you not only how they built that bridge, but why they felt the need to in the first place. Or so he would have you believe.

He has recently published Irradiated, a tale of two sisters living in Brisbane, Australia, post-civilization. He invites you to visit him at

My Writing Process

What am I working on?

I’m in the middle of Leaf, the last book of the Peacebringer Trilogy. I’ve been living with this trilogy since 2001, so I’m quite ready for it to be finished, much as I enjoy spending time with the characters.

Leaf has seven viewpoint characters spread out across two countries, and every chapter when I switch characters I have to relearn their speech patterns and ways of thinking. My next full-length novel will have one viewpoint character and will be written in first person, I swear.

Anyway. The underlying premise of the trilogy is that a bunch of black people say to heck with Earth, pile onto a generation ship, and settle on a planet that turns out be inhabited with elf analogues. Ooops.

A few centuries later, the settlers and the indigenes co-exist peacefully, as long as everyone keeps to their own side of the river. Then one of the settlers finds an indigene child in settler territory, and the settlers have to decide whether to send the child back to possible death, or to shelter the child and face possible reprisal by the indigenes.

In Leaf the indigene child, now an adult, must confront the ruler of the indigenes–the child’s mother, and the same person who ordered the child’s death.

How does my work differ from others of its genre?

Although there is a science fiction/colonization starting point, the trilogy is solidly second-world fantasy | high fantasy | epic fantasy (pick your favorite term). The events, which take place on an imaginary world, are, if not global, at least national in scope; the world of the indigenes is out of balance, and the indigene child must put the world back in balance.

But there are no big battle scenes; nobody casts fireballs or wields a magic sword. The magic is invisible to most people and doesn’t have a “system.” Despite centuries of living side by side, most settlers don’t recognize the indigene magic, or even their own.

The landscape and culture aren’t derived from medieval Europe; the settlers are descendants of Americans.

The majority of viewpoint characters are female, mirroring the competent women I see all around me in everyday life. The other characters are a mixture of women and men of all types (I hope). Some of the characters believe in the Christian God, others don’t. Some characters pair off in opposite-sex relationships, some in same-sex relationships, and others don’t have a preference.

Why do I write what I do?

Because it interests me.

And because I’m lazy. I like writing fantasy because I don’t have to make sure Smith Street runs north-south and is only twelve blocks long. I don’t have to worry about knowing where the boundaries of X country were in 1347, or what the country was called at the time. I don’t have to know what laws were in effect in 1908 Nebraska, or what radio stations existed in Chicago in 1932.

All I have to do is make up the people and their problems and the world they live in.

How does my writing process work?

When I first started Peacebringer, I didn’t know what was going to happen or the characters I would write about. I just had a character (the lost child) and the situation (her being found by an enemy), and I kept making up stuff that sort of fit. It wasn’t till the third chapter I knew who the lost child’s parents were, and then a few chapters later I learned why the father and child were in the forest. Stuff started to fall in place, a little bit at a time.

Eventually I was able to list the events I knew would happen into a loose outline. Now I work from this outline, adjusting as I go.

I have another book in the same world planned, and for that one I have a main character with backstory, an incident that connects the protagonist to a second character (not a romantic interest), and then they go off on a journey and I don’t know what the heck happens. I’m pretty sure they meet someone from the protag’s past along the way, but I’m not sure yet. Guess I’ll just have to start writing.

Life First
Don’t miss next week’s visit with RJ Crayton, author of Life First, a chilling story about a future when your body no longer belongs to you.

R.J. Crayton grew up in Illinois and now lives in the Maryland suburbs of Washington, DC. She is the author of the Life First series of novels, which includes Life First and Second Life. Prior to writing fiction, Crayton was a journalist, and wrote for the Wichita Eagle, Kansas City Star, and Education Technology News. Currently, Crayton is a monthly contributor to the Indies Unlimited blog and a regular contributor to the Institute for Ethics and Emerging Technologies blog. Crayton’s website is, and she blogs at

Thanks to Heidi Garrett,, for organizing the Kboards branch of the tour.

ETA: More writing process posts archived at the Speculative Fiction Showcase –